{"id":6188,"date":"2022-08-23T17:17:25","date_gmt":"2022-08-23T15:17:25","guid":{"rendered":"https:\/\/monopolitourism.com\/2022\/08\/23\/panorama-monopoli-a-city-wide-exhibition-curated-by-vincenzo-de-bellis-1-4-september-2022\/"},"modified":"2022-08-23T17:17:25","modified_gmt":"2022-08-23T15:17:25","slug":"panorama-monopoli-a-city-wide-exhibition-curated-by-vincenzo-de-bellis-1-4-september-2022","status":"publish","type":"post","link":"https:\/\/monopolitourism.com\/en\/2022\/08\/23\/panorama-monopoli-a-city-wide-exhibition-curated-by-vincenzo-de-bellis-1-4-september-2022\/","title":{"rendered":"Panorama Monopoli A city-wide exhibition curated by Vincenzo de Bellis 1 \u2013 4 September 2022"},"content":{"rendered":"

ITALICS<\/em><\/strong> is the first consortium in Italy to bring together over sixty of the most authoritative galleries of ancient, modern and contemporary art throughout Italy. From Thursday 1 to Sunday 4 September 2022 <\/strong>in Monopoli<\/strong> (Bari), it is presenting the second edition of the city-wide exhibition \u201cPanorama\u201d<\/strong>, curated by Vincenzo de Bellis<\/strong>, Curator and Associate Director of Programs, Visual Arts at the Walker Art Center in Minneapolis, recently appointed as Director, Fairs and Exhibition Platforms of Art Basel.<\/p>\n

\u201cPanorama\u201d, the special story that ITALICS dedicates periodically to some of the most extraordinary places in the Italian landscape, launched its first edition last year on the wonderful island of Procida, offering a new itinerary of ancient and contemporary art and architecture, accompanied by a schedule of informative side events, performances and special projects open to the public.<\/p>\n

The exhibition itinerary encompasses the ancient historic center of the Adriatic town and entails twenty exhibition venues<\/strong>, including palaces, churches, piazzas, votive aedicules hidden in alleyways and lanes. It will host 70 works ranging from the 15th-century to today <\/strong>and includes 7 performance pieces<\/strong>, created by 60 international artists <\/strong>of different nationalities and from different eras and generations: Mario Air\u00f2 <\/strong>(Pavia, Italy, 1961), Francesco Arena <\/strong>(Torre Santa Susanna, Brindisi, Italy, 1978), Stefano Arienti <\/strong>(Asola, Mantua, Italy, 1961), Gianfranco Baruchello <\/strong>(Livorno, Italy, 1924), Luca Bertolo <\/strong>(Milan, Italy, 1968), Paolo Bini <\/strong>(Battipaglia, Salerno, Italy, 1984), Alighiero Boetti <\/strong>(Turin, Italy, 1940 \u2013 Rome, Italy, 1994), Pier Paolo Calzolari <\/strong>(Bologna, Italy, 1943), Duilio Cambellotti<\/strong> (Roma, Italia, 1876 \u2013 1960), Mariana Castillo Deball <\/strong>(Mexico City, Mexico, 1975), Adelaide Cioni <\/strong>(Bologna, Italy, 1976), Pietro Consagra <\/strong>(Mazara del Vallo, Trapani, 1920 \u2013 Milan, Italy, 2005), Maria Adele Del Vecchio <\/strong>(Caserta, Italy, 1976), Gaia Di Lorenzo <\/strong>(Rome, Italy, 1991), Nathalie Djurberg & Hans Berg <\/strong>(Lysekil, Sweden, 1978 \/ R\u00e4ttvik, Sweden, 1978), Mimosa Echard<\/strong> (Al\u00e8s, France, 1986), Sam Falls<\/strong> (San Diego, CA, United States, 1984), Matteo Fato <\/strong>(Pescara, Italy, 1979), Cesare Fracanzano <\/strong>(Bisceglie, Barletta-Andria-Trani, Italy, 1605 \u2013 Barletta, Barletta-Andria-Trani, Italia, 1651), Massimo Grimaldi<\/strong> (Taranto, Italy, 1974), Edi Hila <\/strong>(Shkodra, Albania, 1944), Judith Hopf <\/strong>(Karlsruhe, Germany, 1969), Adelita Husni-Bey <\/strong>(Milan, Italy, 1985), Alfredo Jaar <\/strong>(Santiago del Chile, Chile, 1956), Ann Veronica Janssens <\/strong>(Folkestone, United Kingdom, 1956), Runo Lagomarsino <\/strong>(Lund, Sweden, 1977), Giovanni Lanfranco <\/strong>(Parma, Italy, 1582 \u2013 Rome, Italy, 1647), Francesco Laurana e Nicola Samor\u00ec <\/strong>(Vrana, Croatia, 1430 \u2013 Avignon, France, 1502 \/ Forl\u00ec, 1977), Jieun Lim <\/strong>(Seoul, South Korea, 1983), Lorenzo Lippi <\/strong>(Florence, Italy, 1606 \u2013 1665), Carlo Manieri <\/strong>(Taranto, Italy, 1633 \u2013 Rome, Italy, 1702), Franca Maran\u00f2 <\/strong>(Bari, Italy, 1920 \u2013 Bari, Italy, 2015), Richard Marquis & Johanna Nitzke Marquis <\/strong>(Bumble Bee, AZ, United States, 1945 \/\u00a0 Northern Wisconsin, WI, United States, 1947), \u00a0Mario Merz <\/strong>(Milan, Italy, 1925 \u2013 2003), Marisa Merz <\/strong>(Turin, Italy, 1926 \u2013 2019), Luzie Meyer <\/strong>(T\u00fcbingen, Germany, 1990), Diego Miguel Mirabella <\/strong>(Enna, Italy, 1988), Fran\u00e7ois Morellet <\/strong>(Cholet, France, 1926 \u2013 2016), Valerio Nicolai <\/strong>(Gorizia, Italy, 1988), Alessandro Piangiamore <\/strong>(Enna, Italy, 1976), Michelangelo Pistoletto <\/strong>(Biella, Italy, 1933), Gianni Politi <\/strong>(Rome, Italy,1986), Nathlie Provosty <\/strong>(Cincinnati, OH, United States, 1981), Giangiacomo Rossetti <\/strong>(Milan, Italy, 1989), Medardo Rosso <\/strong>(Turin, Italy, 1858 \u2013 Milan, Italy, 1928), Mimmo Rotella <\/strong>(Catanzaro, Italy, 1918 \u2013 Milan, Italy, 2006), Antonio Sanfilippo <\/strong>(Partanna, Trapani, Italy, 1923 \u2013 Rome, Italy, 1980), Alberto Savinio <\/strong>(Athens, Greece, 1891 \u2013 Rome, Italy, 1952), Aviva Silverman<\/strong> (New York, NY, United States, 1986), Carl-August-Wilhelm Sommer <\/strong>(Coburgo, Germany, 1839 \u2013 1921), Eugenio Tibaldi<\/strong> (Alba, Cuneo, Italy, 1977), Patrick Tuttofuoco <\/strong>(Milan, Italy, 1974), Massimo Vitali <\/strong>(Como, Italy, 1944), Luca Vitone <\/strong>(Genoa, Italy, 1964), Stanley Whitney <\/strong>(Philadelphia, PA, United States, 1946), Antonio Zanchi <\/strong>(Padua, Italy, 1631 \u2013 Venice, Italy, 1722).<\/p>\n

Like the the previous edition, which celebrated the career of Daniel Buren and his great bond with the island of Procida, this year too, on the occasion of \u201cPanorama Monopoli\u201d, ITALICS <\/em>is celebrating a fundamental artist for the territory, by awarding the Italics d’Oro<\/strong> in memory of the exemplary artistic and life experience of the photographer Lisetta Carmi<\/strong> (Genoa, 1924).<\/p>\n

The work of Lisetta Carmi will be featured in a special project <\/strong>developed in collaboration with the international festival of photography and art PhEST \u2013 See Beyond the Sea.<\/strong> On exhibit will be unpublished shots taken in 1960 between Puglia and Basilicata, that will be remain open to the public for the duration of the festival, from 9 September until 1 November 2022.<\/p>\n

The project \u201cPanorama Monopoli\u201d is conceived as a vast choral event inspired by the Greek concept of xenia<\/em>.<\/strong> Each of the selected works will make a contribution by offering multiple interpretations of universal themes that, from the 15th century to today, have been drivers of creativity for artists from different eras, and have engaged human minds for about seven centuries.<\/p>\n

For the Greeks, the term xenia<\/em> summed up the meaning of hospitality and the relationship with the foreigner, governed by basic rules of behavior, such as the custom of paying homage to the guest with a \u201cfarewell gift\u201d to testify that he had enjoyed his visit. In a sense, xenia<\/em> is a form of ritualized friendship based on reciprocity<\/strong>.<\/p>\n

The concept is related to that of the foreigner, from xenos<\/em>, and the history of Monopoli, similar to many other cities on the Adriatic coast, crossroads of exchanges, interests, peoples and trade. The Egnatini (from the Messapian center of nearby Egnatia), the Byzantines, Bretons, Arabs, Spaniards, and Venetians all contributed in various ways to making the city\u2019s culture a true polychrome mosaic but, at the same time, these menacing presences compelled it to become a powerful fortress watching over the sea.<\/p>\n

The curator Vincenzo de Bellis explains: \u201cIf we transfer these concepts to today, we can see how our relationship with others has changed. We repudiate the stranger, without realizing that in contemporary society we are all strangers to one another. Our era has completely distorted the meanings of nearness and distance. It has transformed distance into a motive for fear and exclusion, or reduced it to zero in a closeness that is only virtual, experienced and mediated by a screen. So news reaches us but it does not concern us. It doesn\u2019t feel vivid, and yet it\u2019s close, because everything is close today.<\/em><\/p>\n

The year 2022 has been devastated by a global pandemic and a war, the one in Ukraine, which reminds us of the many other wars that are ongoing, only quieter now due to the outbreak of yet another. This is a year when mass migrations between the various world borders have not ceased, and because of our position overlooking the Mediterranean, we see them coming mainly from the East, the Middle East and North Africa, \u201cPanorama Monopoli\u201d cannot and must not be a political exhibition in the most immediate sense of the term. Many of the artists exhibited make no mention of today\u2019s news, and it could not be otherwise when bringing together works ranging from the 15th century to today. The selection focuses on universal themes that inspire a wide variety of interpretations, sometimes unexpected, especially where works and artists from different eras and backgrounds interact with one another during the exhibition.\u201d<\/em><\/p>\n

\u201cPanorama Monopoli\u201d once again promises to be a unique exhibition experience. An exhibition designed as the emanation of ITALICS<\/em>, designed to bring together ancient, modern and contemporary styles, techniques and multiple thoughts in art itineraries that will take the viewer to discover the most authentic and little-known aspects of our country, a live continuation of the extraordinary journey that began in 2020 on the web pages of the Italics.art<\/em> platform.<\/p>\n

The associated galleries adamantly agreed on the Panorama format, formally declaring their commitment, with a view to collaborating with the local energies in the territories involved. Its themes will be expanded with a program and alliances aimed at reaffirming the central role of Italian art galleries in a cultural, local and global system that is quickly evolving.\u00a0<\/strong><\/p>\n

\u201cPanorama Monopoli\u201d is realized with the patronage of the UNESCO, the Ministry of Culture, the support of the Department of Tourism, Economy of Culture and Valorization of the Territory of the Puglia Region and the Departments of Culture and Tourism of the Municipality of Monopoli<\/strong>.<\/p>\n

\u00a0<\/strong>Belmond Ltd. is joining ITALICS<\/em> as main partner to support the Consortium activities and \u201cPanorama Monopoli\u201d. Developing its long and successful hospitality and leisure tradition, Belmond has always devoted attention and care to the heritage and history of the Countries where it operates. The partnership with ITALICS<\/em> will aim to the common objective of promoting Italy and its territory through art, inviting the public to see the culture and beauty spread throughout the country with a different point of view.<\/strong><\/p>\n

After having supported the first edition in Procida in 2021, Tod’s confirms its support as Partner of the second edition of \u201cPanorama\u201d.<\/strong><\/p>\n

Tod’s chooses to continue along the path already begun with the desire to give continuity to the cultural projects of Consorzio ITALICS with which it shares an interest in the enhancement of the Italian territory and the important cultural work expressed by the over 60 art galleries involved in the project.<\/strong><\/p>\n

\u201cPanorama Monopoli\u201d public programme is organized in collaboration with Treccani Arte.<\/strong><\/p>\n

Il Giornale dell\u2019Arte is the media partner of \u201cPanorama Monopoli\u201d.<\/strong><\/p>\n

\u201cPanorama Monopoli\u201d is produced with the special participation of Liceo Artistico Luigi Russo; thanks to all students, the teachers and the Director Adolfo Marciano for their contribution to the cultural event. <\/strong><\/p>\n

THE EXHIBITION ITINERARY\u00a0<\/strong><\/p>\n

The ancient seaside village of Monopoli<\/strong> is located at the heart of the Apulian coast along the \u201cCosta dei Trulli\u201d, and preserves centuries-old layers of the history of human civilization. The historic center, of medieval origins, is a maze of pedestrian streets, typical lanes, narrow passageways, and ancient piazzas, wonderful popular housing interspersed with sumptuous religious buildings and splendid aristocratic homes. It is in these very streets that the second edition of the city-wide \u201cPanorama\u201d exhibition is taking place. It includes about 70 works by 60 artists distributed along an itinerary consisting of 20 exhibition spaces<\/strong>. Seven performance pieces <\/strong>will bring to life the places chosen for the action, the local community or, in turn, other works exhibited in the same setting.<\/p>\n

The itinerary is planned to harmoniously work with the architecture and natural landscape, inviting viewers to lose themselves in the formal solutions and different themes. The stagings encourage multiple dialogues between artists of different generations or eras, alternating with monographic presentations dedicated to contemporary artists.<\/p>\n

The exhibition itinerary takes in the main churches of the village, such as the Church and former monastery of <\/strong>Santi Giuseppe e Anna<\/strong>, with its wonderful majolica floor. It will host one of the many dialogues between different eras of art history that will intersect along the route; the nerve centers in the urban fabric, such as Piazza Palmieri,<\/strong> will host a staged performance. Piazzetta Santa Maria<\/strong> and Largo Castello<\/strong>, and the more intimate spaces of the Cloisters, alleys, gates and votive aedicules<\/strong> in the lanes of the historic center will house site-specific installations.<\/p>\n

Palazzo Martinelli<\/strong>, the San Leonardo Complex<\/strong>, the stables of Casa Santa<\/strong> and the Sala delle Armi of Castello Carlo V <\/strong>will house the four main exhibition centers.<\/p>\n

The exhibition in the 18th-century Palazzo Martinelli\u00a0<\/strong>which rises near the walls with its scenic loggia and ogival arches, will be held in six rooms, each presenting a surprising dialogue between chronologically and culturally distant artists.<\/p>\n

The Complex of San Leonardo<\/strong>, a former 16th-century monastery of Benedictine nuns, made into a school following the Unification of Italy then left unused, will host the presentation of works by contemporary artists, divided into ten spaces with nine monographs and a site-specific project in progress that will be completed on the opening days of \u201cPanorama Monopoli\u201d.<\/p>\n

The stables <\/strong>attached to the Casa Santa<\/strong>, the former convent of the Discalced Carmelites built at the end of the 16th century and later a shelter for young orphans and the needy, will house the works of six artists spread over three environments.<\/p>\n

The Castello Carlo V<\/strong>, a pentagonal fortification that stands on a strip of land that is closer to the sea than the rest of the city, in its Sala delle Armi, <\/strong>among large iron anchors, 19th-century cannons and important archaeological finds, will host the works of five contemporary artists, including new creations conceived specifically for the occasion and in response to the venue that is hosting them. Again, within the walls of the Castle of Monopoli, a very special dialogue will be set up between an ancient painting and a contemporary sculpture, cyclically activated by a performance.<\/p>\n

In the full Italics spirit of offering authentic experiences to discover the traditions and soul of the land that is hosting the city-wide exhibition, a symbolic act will kick off Panorama Monopoli: participation in an ages-old event<\/strong>, held every year at Cala di Porta Vecchia.<\/p>\n

At dawn on September 1st, in Cala di Porta Vecchia<\/strong>, a traditional ritual takes place, widespread among the inhabitants of some municipalities of the Costa dei Trulli and the Itria Valley and considered a good omen. In fact, they believe that swimming in the sea at dawn on September 1st ensures good health throughout the winter. On the occasion of such a special moment for Monopoli, in a ritual and symbolic collective plunge into the sea, Massimo Vitali<\/strong> will take a series of shots as part of his photography project on beaches.\u00a0<\/strong><\/p>\n

THE ITALICS D\u2019ORO IN MEMORY OF LISETTA CARMI<\/p>\n

THE COLLABORATION WITH PHEST – See Beyond the Sea\u00a0<\/strong><\/p>\n

ITALICS<\/em> is delighted to announce that the Italics d’Oro<\/strong> award of the 2022 edition of \u201cPanorama\u201d is celebrating the seminal artistic experience and work of Lisetta Carmi<\/strong>, passed away this 5 July at the age of 98 in her home, in Cisternino (Brindisi), Puglia.<\/p>\n

Each edition of \u201cPanorama\u201d recognizes and celebrates an artist who has developed an intense relationship with the territory where the city-wide exhibition is held. The first recipient of the Italics d’Oro in 2021 was Daniel Buren, an artist who has had a very special relationship with the island of Procida for over thirty years.<\/p>\n

In 1979, the artist and photographer Lisetta Carmi <\/strong>(Genoa, 1924) had chosen to live in Cisternino, Puglia, where her long history with photography began and where, over the years, she founded a meditation community. The Monopoli edition of the Italics d\u2019Oro<\/strong> is being awarded to her memory with the following motivation: \u201cLisetta Carmi has been a great Italian artist who has distinguished herself with work that is well ahead its time and that is why, even today, she is extremely topical. Her photographs document unrepresented subjects and realities and are some of the first to use an artistic approach in the work of photographic documentation, accentuating the tensions between classes, gender issues, and visions poised between eroticism and power<\/em>.\u201d<\/p>\n

On the occasion of \u201cPanorama Monopoli\u201d, with a view to developing a network of profitable relationships with the most authoritative organizations locally working in the cultural field, ITALICS<\/em> is delighted to announce the collaboration with PhEST \u2013 See Beyond the Sea<\/strong>, international photography and art festival, now in its seventh edition.<\/p>\n

To seal the collaboration and twinning between the two initiatives, ITALICS <\/em>and PhEST are announcing the exhibition of a series of unpublished shots by Lisetta Carmi, taken in 1960 between Puglia and Basilicata and never exhibited before<\/strong> which will be held at Palazzo Palmieri, PhEST headquarters, and visible until the end of the festival.<\/strong><\/p>\n

Not only do the selected images represent the first time the artist, originally from Genoa, came into contact with the territory in which she eventually had chosen to live and work, but they are the very first photographs ever made by the artist.<\/p>\n

As Lisetta Carmi herself has had the opportunity to explain, her relationship with photography began in Puglia: \u201cI began taking pictures with a small Agfa Silette camera and no previous knowledge. It was 1960, and I left for Puglia with my ethno-musicologist friend Leo Levi. We went to San Nicandro Garganico, where a group of Jewish students of the mystic and clairvoyant Donato Manduzio lived, in the Jewish catacombs of Venosa, in Alberobello. I used nine rolls to document those beautiful and interesting places. I had never taken a photo in my life<\/em>.\u201d<\/p>\n

Thursday, 1 September 2022<\/strong><\/p>\n

6am\u201312pm Live Photography<\/p>\n

Massimo Vitali, \u201cCooking Show\u201d<\/p>\n

Cala Portavecchia, lungomare Portavecchia<\/p>\n

11am-12pm Press conference and curator\u2019s guided tour<\/p>\n

Molo Margherita<\/p>\n

12\u20138pm Public Opening Panorama Monopoli<\/p>\n

5\u20135.30 pm Performance<\/p>\n

Maria Adele Del Vecchio, \u201cEn ce temps-l\u00e0\u201d, 2020-22<\/p>\n

Complesso S. Leonardo (courtyard), via San Leonardo 9<\/p>\n

5\u20138pm One-on-one performative encounters<\/p>\n

Adelita Husni-Bey, \u201cEncounters on Pain\u201d, 2016-ongoing<\/p>\n

Palazzo di Citt\u00e0, via Giuseppe Garibaldi 12<\/p>\n

By appointment only: <\/u>info@gallerialaveronica.it<\/a><\/p>\n

Punctuality is required, waiting outside to be called. The maximum duration of the<\/p>\n

performance is 20 minutes: 5-5.20pm \/ 5.30-5.50pm \/ 6-6.20pm \/ 6.40-7pm \/<\/p>\n

7.10-7.30pm \/ 7.40-8pm<\/p>\n

5.30\u20137.30pm Informal poker tournament<\/p>\n

Eugenio Tibaldi, \u201cCuba Casin\u00f2\u201d, 2015<\/p>\n

Chiostro Palazzo S. Martino, via San Domenico 18<\/p>\n

To participate in the tournament: <\/u>cubacasino@galleriaumbertodimarino.com<\/a><\/p>\n

Friday, 2 September 2022<\/strong><\/p>\n

9\u201310am Public Program<\/p>\n

in collaboration with Treccani Arte<\/p>\n

meeting point: Porto Antico, 9am<\/p>\n

10am\u20138pm Panorama Monopoli<\/p>\n

exhibition venues opening hours<\/p>\n

5\u20135.30pm Performance<\/p>\n

Maria Adele Del Vecchio, En ce temps-l\u00e0, 2020-22<\/p>\n

Complesso S. Leonardo (cortile), via San Leonardo 9<\/p>\n

5\u20138pm One-on-one performative encounters<\/p>\n

Adelita Husni-Bey, Encounters on Pain, 2016-ongoing<\/p>\n

Palazzo di Citt\u00e0, via Giuseppe Garibaldi 12<\/p>\n

By appointment only: <\/u>info@gallerialaveronica.it<\/a><\/p>\n

Punctuality is required, waiting outside to be called. The maximum duration of the<\/p>\n

performance is 20 minutes: 5-5.20pm \/ 5.30-5.50pm \/ 6-6.20pm \/ 6.40-7pm \/<\/p>\n

7.10-7.30pm \/ 7.40-8pm<\/p>\n

6\u20138pm Informal poker tournament<\/p>\n

Eugenio Tibaldi, Cuba Casin\u00f2, 2015<\/p>\n

Chiostro Palazzo S. Martino, via San Domenico 18<\/p>\n

To participate in the tournament: <\/u>cubacasino@galleriaumbertodimarino.com<\/a>\u00a0<\/strong><\/p>\n

Saturday, 3 September 2022<\/strong><\/p>\n

9\u201310am Public Program<\/p>\n

in collaboration with Treccani Arte<\/p>\n

meeting point: Porto Antico, 9am<\/p>\n

10am\u20138pm Panorama Monopoli<\/p>\n

exhibition venues opening hours<\/p>\n

5\u20135.30pm Performance<\/p>\n

Maria Adele Del Vecchio, En ce temps-l\u00e0, 2020-22<\/p>\n

Complesso S. Leonardo (cortile), via San Leonardo 9<\/p>\n

5\u20138pm One-on-one performative encounters<\/p>\n

Adelita Husni-Bey, Encounters on Pain, 2016-ongoing<\/p>\n

Palazzo di Citt\u00e0, via Giuseppe Garibaldi 12<\/p>\n

By appointment only: <\/u>info@gallerialaveronica.it<\/a><\/p>\n

Punctuality is required,\u00a0 waiting outside to be called. The maximum duration of theperformance is 20 minutes: 5-5.20pm \/ 5.30-5.50pm \/ 6-6.20pm \/ 6.40-7pm \/ 7.10-7.30pm \/ 7.40-8pm<\/p>\n

5.30\u20137.30pm Informal poker tournament<\/p>\n

Eugenio Tibaldi, Cuba Casin\u00f2, 2015<\/p>\n

Chiostro Palazzo S. Martino, via San Domenico 18<\/p>\n

To participate in the tournament: <\/u>cubacasino@galleriaumbertodimarino.com<\/a><\/p>\n

6\u20137pm Performance<\/p>\n

Michelangelo Pistoletto, Terzo Paradiso a Monopoli 2022<\/p>\n

Largo Palmieri, piazza Palmieri<\/p>\n

Saturday, 4 September 2022<\/strong><\/p>\n

9\u201310am Public Program<\/p>\n

in collaboration with Treccani Arte<\/p>\n

meeting point: Porto Antico, 9am<\/p>\n

10am\u20138pm Panorama Monopoli<\/p>\n

exhibition venues opening hours<\/p>\n

5\u20135.30pm Performance<\/p>\n

Maria Adele Del Vecchio, En ce temps-l\u00e0, 2020-22<\/p>\n

Complesso S. Leonardo (cortile), via San Leonardo 9<\/p>\n

5\u20138pm One-on-one performative encounters<\/p>\n

Adelita Husni-Bey, Encounters on Pain, 2016-ongoing<\/p>\n

Palazzo di Citt\u00e0, via Giuseppe Garibaldi 12<\/p>\n

By appointment only: <\/u>info@gallerialaveronica.it<\/a><\/p>\n

Punctuality is required, waiting outside to be called. The maximum duration of the performance is 20 minutes: 5-5.20pm \/ 5.30-5.50pm \/ 6-6.20pm \/ 6.40-7pm \/ 7.10-7.30pm \/ 7.40-8pm<\/p>\n

    \n
  1. 18\u201320 Informal poker tournament<\/li>\n<\/ol>\n

    Eugenio Tibaldi, Cuba Casin\u00f2, 2015<\/p>\n

    Chiostro Palazzo S. Martino, via San Domenico 18<\/p>\n

    To participate in the tournament: <\/u>cubacasino@galleriaumbertodimarino.com<\/a><\/p>\n

     <\/p>\n

    INFORMATION<\/p>\n

    ITALICS<\/em> Art and Landscape<\/p>\n

    www.italics.art<\/a><\/p>\n

    @italics.art<\/p>\n

    #PanoramaMonopoli<\/p>\n

     <\/p>\n

    ITALICS\u00a0<\/em>is the first consortium in Italy to bring together over sixty of the main galleries of contemporary, modern and ancient art throughout Italy. It was established in 2020 based on an idea of Lorenzo Fiaschi (GALLERIA CONTINUA<\/strong>) and Pepi Marchetti Franchi (Gagosian<\/strong>).<\/p>\n

    The aim behind\u00a0ITALICS<\/em>\u00a0is to develop new approaches to the cultural and human encounter between art lovers and others, creating projects that embrace the Italian cultural and landscape heritage in itineraries of art and rediscovery, characterized by a multidisciplinary approach and forming deep relationships with the territory. Around the intuition of recounting Italy and its extraordinary uniqueness through the eyes of the gallerists, a working group was formed. It includes\u00a0Alfonso Artiaco<\/strong>, Ludovica Barbieri (Massimo De Carlo<\/strong>), Massimo Di Carlo (Galleria dello Scudo<\/strong>), Francesca Kaufmann (kaufmann repetto<\/strong>),\u00a0Massimo Minini, Franco Noero\u00a0<\/strong>and\u00a0Carlo Orsi<\/strong>. Encouraged by the desire to build a widespread national network based on collaboration and sharing experiences, the nine gallerists invited other galleries throughout the Peninsula and its islands to take part in the project, including some of the most established national and international galleries, as well as newer and more experimental realities. Today,\u00a0ITALICS<\/em>\u00a0is an extremely dynamic organism in continuous evolution.\u00a0In September 2021, the ideas, inspirations and commitment of the Consortium transported to the island of Procida (NA), the Italian Capital of Culture 2022, the first edition, curated by Vincenzo de Bellis,\u00a0of the island-wide exhibition \u201cPanorama\u201d: the special story that\u00a0ITALICS<\/em>\u00a0dedicates periodically to some of the most extraordinary places in the Italian landscape, building timeless itineraries.<\/p>\n

    To keep up-to-date with the Consortium’s list of participants and current and future activities, please visit\u00a0www.italics.art<\/a>.<\/p>\n

    \u00a0<\/strong><\/p>\n

     <\/p>\n

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